I had approached Philosophy when I was still almost a kid, with the tender and mystical devotion of a Dante approaching a Beatrix he has dreamed of, and never seen.
__Giovanni Papini, L'altra metà (1911), Foreword
Later on, Papini -- possibly a unique case in Italian literature -- will fiercely attack Dante just for this, because Dante referred Christological expressions, taken from the Gospels (see Purgatorio 29: 85-86, 30: 19, 33: 10-12), to a chick. That in fact was the point: Beatrix as an interface of Christ himself, rather than a fairy tale princess. According to Dante's son Jacopo (James), she wasn't a true woman but a symbol of the Holy Scriptures. See also Purgatorio 27: 58, where . . . whose voice is it?